The pedagogy of 'a competent child' can be said to require an architecture that is accessible, is scaled and functions for the child, offers flexibility and choice, and treats the child as an equal (and therefore does not patronise). Reggio Emilia have successfully embodied this philosophy in it's architecture, like this one here designed by ZPZ Partners in San Felice.

Reggio educators are highly concerned about what their school environments teach, embodying the belief that children are resourceful, curious, competent, imaginative, and have a desire to interact with and communicate with others (Rinaldi, 1998: 114). They believe that children can best create meaning and make sense of the world through living in complex, rich environments which support “complex, varied, sustained and changing relationships between people, the world of experience, ideas and the many ways of expressing ideas”, rather than from simplified lessons or learning environments. As Louise Cadwell says of her experience with Reggio education: “no space is marginal, no corner unimportant and each space needs to be alive and open to change” (Cadwell, 1997: 93).
Here, the use of skylights, differing artificial lighting, a sensitively chosen colour palette, external courtyards and number of natural materials (masonry and wood), creates a rich and vibrant atmosphere that mediates between the inside and outside, and between private and social spaces.

Ceppi and Zini (1998: 14) use the term osmosis to describe the relationship of the school with the world outside: “A school should not be a sort of counter-world, but the essence and distillation of the society. Contemporary reality can and should permeate the school, filtered by a cultural project of interpretation that serves a membrane and interface.”

Reggio schools also include aspects of the ‘home’ with objects such as vases of flowers and plants - each are placed meaningfully into the context. Children’s ‘works’ are documented and displayed on documentation panels - communicating clearly to the children, their parents and community respect and value for the children’s abilities and potential.

Reggio’s environments are treated as experiments in creating children’s spaces and the architecture is viewed as a backdrop to the children and their activities. It is spacious, elegant and decorated in a restrained manner so that is does not detract from the child’s artwork or activities (Dudek, 2007: 67).
Much can be learnt from Reggio’s approach of serving the ‘compent child’ an appropriate architectural learning context.
Via DesignShare, Dudek's (2007: 64-67) 'Schools and Kindergartens', and ZPZ Partners.